
I hear from so many people who ask me "How did you become a stylist?" "What was your career path like?", so I know it's on a lot of minds. The desire to live and breathe creativity, to shop constantly and live in bright airy photo studios or go on location to gorgeous places sounds like an incredible way to earn a living! First off I don't want to scare you, but it a LOT of work! If you follow many talented stylists and photographers on Instagram, all you see is the carefully curated results of many hours of hard work and the daily photos that you see in a feed were probably not shot every day as it appears. So what I'm trying to say, is it's a lot harder than it looks!
My path began after college where I studied Fine Art, Art History, and worked at the college newspaper. I followed the path of a graphic designer after which I accidentally fell into magazines. Working at a magazine gave me the opportunity to learn how to create shots for editorial content. It was a small magazine which doesn't even exist now, but it was up to me to find the props, book the photographer and style the set to convey the point that we were making in the story.
Many years and many magazines later I landed at Bridal Guide Magazine as the Creative Director. My days were filled with pretty gowns, gorgeous flowers, jewelry, tableware and the shoots were my responsibility to plan. We travelled all over the country and the Caribbean to photograph the fashion and beauty stories, but the still life, i.e., the product, wedding details, cake, flowers and tabletop shoots were all done in studios in NYC. While there were editors responsible for pulling in a lot of these items, I worked with the photographer to set up and take the perfect shot.

I am grateful that Bridal Guide was a small company because I had the ability to do so much. I used to take the bouquets home from the shoots, cut them apart and see how they were put together. I needed to come up with backdrops and surfaces for every shoot so I found the best prop houses to rent from and stores to buy fabrics, papers and other materials. Sometimes I worked with a great up-and-coming wedding planner (there are so many, now famous, to name) to visualize a theme wedding even before it was trendy to have a theme wedding. I painted and taped and rigged and schlepped things to shoots. Each and every interaction was a learning experience that added to my toolkit of styling skills. When I was ready to leave my full-time job, I knew what I needed to do to reinvent myself as a freelance stylist.
Fast forward to how this relates to you. If you read accounts from various stylists like Chelsea Fuss or Emily Henderson you will see that there really is no one path. We all do it differently. You have to envision your dream and do what it takes to make it a reality. I'm still working as a stylist, but the most rewarding experiences I have had thus far have included teaching and coaching aspiring stylists. I've logged over 7 years at FIT and now my new styling class is launching in April. If you want to chat or know that this is what you want to do, please get in touch. I would love to meet you and help you kickstart your new career.